5 Ways Selling Health Insurance Reminds Me of Horror Movies

Author’s note: This is a discussion of how I personally did not thrive in my position, not a diatribe against the company I worked for. I’m just not a good fit for sales, y’all.

I’ve written in the past about my library job, which I have since left to try my hand at selling insurance. My motivation was that my husband, who’s partially blind and cannot drive, is employed there, and a major part of the job is being able to get to many places (managers emphasize that 25 a day should be the bare minimum) to meet people and attempt to sell them things. It’s possible to do it over the phone, but it gets far fewer results. So I convinced myself that I could do it too, despite being an introvert with painfully low self-esteem. Most things remind me of horror movies, but to me the health insurance game is a horrific one indeed.

*Caution: SPOILERS!!!*

5.) Saw VI

This one’s a no-brainer as to why it’s in my listicle; it prominently features Jigsaw victimizing the staff of a health insurance company. His major beef is with William, who denies his request for coverage of an experimental cancer treatment, which is IRL in full extent of the law (though the company I worked for is massively dedicated to prevention of and assistance with cancer and pays benefits for experimental treatments). But then William does cancel Jigsaw’s policy when he decides to get the treatment anyway (majorly illegal–believe it or not, insurance coverage is tightly regulated at the state and federal level, with a keen eye on what benefits the policyholder). This is my summary of Jigsaw’s conversation with William: Jigsaw: “I want an experimental cancer treatment that sort of has results.” William: “I’ve researched this treatment, and it’s questionable. In fact, a few movies later, you’re gonna find out it’s a hoax and then you’ll be really pissed. Also, your doctor Cary Elwes says you aren’t a good candidate.” Jigsaw: “Fuck that guy. I have money to pay for it, but I still want your company to cover it. It’s the principal of the thing.” William: “Did you not see my fish tank of piranhas? Symbolism!” Jigsaw: “Well, then my only recourse is to kidnap you and literally every other person who works in this office and torture them.”

The film occasionally makes an elegant point about how there should be more humanizing ways to decide who gets financial help when they’re sick than a remote corporation going purely on statistics, and to be fair, Jigsaw is also affronted about William turning down coverage for a man who made a mistake on his insurance application, effectively killing him. BUT its depiction of insurance agents as killers with blood on their hands, particularly William’s “Dog Pit”, a team of ruthless execs gleefully finding mistakes and loopholes in insurance claims, is way over the top.

4.) The Rite

Michael is a seminary student on the verge of quitting because he’s lost his faith. His mentor suggests he spend two months in Rome at an exorcism class instead. He is introduced to Father Lucas, who does lots of exorcisms. Michael soon finds out that an exorcism is no quick procedure. It’s a slog. The parish priest must be consulted, all alternative explanations for wonky behavior must be exhausted, and the priest must forward his assessment to his bishop, and then with the bishop’s permission they can summon an exorcist to determine whether an exorcism is appropriate. And THEN, it still takes time. Lucas has a patient he meets with once or twice a week; he yells at her in Italian and she goes home. Lucas explains to Michael, “Spiritual liberation can take months, even years.” Michael replies, “So she’s still possessed?” “Yeah,” Lucas replies nonchalantly. He sees her a total of three times throughout the movie, and ultimately she dies still possessed. And then the demon possesses Lucas instead. (Fortunately, Michael has so much faith that he succeeds in driving out the demon in a few minutes, despite the work that the filmmakers had put in thus far to plant the idea that exorcisms take a long time and need to be done by experts.)

Selling insurance is also not a one-and-done. Here’s a summary of the general procedure: Start by making a list of potential businesses to visit. If the person who makes decisions about insurance coverage is present when you go, swell. But more often than not, that person is nowhere to be found, and the person you come across instead has been coached to be vague about what time or what day they’ll be in, so you have to come back. Provided you can ever catch the decision maker, you have to get them to agree to a sit-down meeting to discuss whether it makes sense for them to purchase insurance. They tend to be of the mindset that they should be getting insurance but have been putting it off as one more drain on their time and money, and are none too pleased to be reminded about the obligation. Or if their objection is that their employees wouldn’t want it, they do an informal poll, basically asking, “Hey, you guys want more money taken out of your paycheck?” It’s insulting because there’s a fuckton to know about what the policies actually entail, which is why I always wanted to coo, “Do you have a license in health insurance? Because IIIIIII do.” If you can get past all that, then there’s the employee presentation. After the employee presentation there is the enrollment meeting, in which the ideal result is that at least some of the employees want to get them some coverage. And after that, if all goes well, there is the post-enrollment meeting and heaps of paperwork. Which is repeated yearly.

3.) The Belko Experiment

In the movie, a branch of the Belko Corporation, home to eighty employees, is under siege one day by a voice commanding that two people die. The next order is that thirty people must die or sixty will be killed instead. The employees have been implanted with chips that will explode if those in charge are provoked. As one character says, when everyone is wondering whether the order to kill is a joke, “Oh, that’s great. Like I didn’t already feel trapped in this job.” The action is counterpointed by cheesy business slogans and in the final fight scene, a PowerPoint of more corporate gibberish. Even at the end, when the final character meets the person in charge, he can’t give a coherent answer for why the experiment is being done. The film as a whole is an indictment of the western workplace, people doing pointless busywork and hating their jobs.

Working for a large company, as I did, it’s easy to feel faceless. The job also felt hollow. Ostensibly I was helping people, when I could convince them that supplemental health insurance was a thing that they wanted, but it felt like a massive hustle for little or no reward. Again and again, I was told that it’s a numbers game, and if I just talked to enough people that eventually I would start making some strides. I did manage to open a couple of accounts, but not nearly enough to earn a living wage.

2.) They Live

Meme courtesy of Duck McDuckins

The earth is facing a socioeconomic crisis caused by invading aliens who pass for human. Their plot involves insidious subliminal messages such as “OBEY”, “NO INDEPENDENT THOUGHT”, “CONSUME”, and “BUY”. Money carries the message, “THIS IS YOUR GOD”. The aliens are able to come into power by manipulating people into being more materialistic; some humans are given a small measure of power in exchange for going along peaceably. Overall, the aliens’ plan for humans is to “Keep us asleep, keep us selfish, keep us sedated”.

In my experience, the culture in sales fosters a sense of greed, of a primal longing to advance. At least once a week we were chided by management for not making the sales that were expected of us and fed the statistics of the veteran sales associates to make us feel bad. The managers are expected to increase their sales every year, despite their workload already teetering on overwhelming. In addition to their quota, they’re expected to help the agents they manage with their quotas. Literally no amount of sales is ever enough.

1.) The Silence of the Lambs

A big part of sales is establishing trust and rapport. Business owners, even those who own very small businesses, have various salespeople in their face all day, and they’re often not thrilled to see another one. In some places, I could tell they pegged me immediately as a sales rep, and they were having none of that. The trick is to get past their defenses and get them to like you, but I was really shitty at that, and I couldn’t help but think of Clarice Starling and Hannibal Lecter’s first meeting in The Silence of the Lambs. At the beginning of the movie, Starling, an FBI agent in training, is given an assignment to interview notorious serial killer Lecter and pump him for information about a new killer. He gives her a chance out of curiosity, but is ultimately quick to dismiss her:

Lecter: “Memory, Agent Starling, is what I have instead of a view.” Starling: “Well, perhaps you’d care to lend us your view on this questionnaire, sir” [Nervous laugh]. Lecter: “Oh no, no, no, no. You were doing fine. You were courteous and receptive to courtesy, you had established trust with the embarrassing truth about Miggs, and now this ham-handed segue into your questionnaire. It won’t do […] You’re so ambitious, aren’t you. You know what you look like to me, with your good bag and your cheap shoes? You look like a rube. A well-scrubbed, hustling rube. With a little taste.”

I didn’t even have a good bag or a little taste. I gave it five months full of mini panic attacks before work and extended ugly-cry sessions after work, but it did not in fact work, and I have conceded defeat. As of this writing, I am working in a warehouse (thankfully one that has decent benefits and pay) and trying to get back to the library, where I can give people things they want for free, the best damn job in the world.

My 10 Favorite Horror Game Music Videos by The Stupendium

The Stupendium is an enby British YouTuber whose main platform is performing songs about video games, in character. I love their clever wordplay and puns, puns, puns. They’re also massively talented at inhabiting different kinds of roles, imitating various accents (their American is nigh-flawless), and being super hot.

“Why Did I Say Okie Doki”

The game: Doki Doki Literature Club is the tale of a quartet of secretly unhinged high school girls who develop a destructive crush on the player.

Highlights: The animation is eerie and pretty sophisticated, capturing perfectly the look of the game.

Nostalgia factor: This is my first Stupendium song. My daughter played it for me way back in 2022 (which is when I started this listicle); we used to listen to her choice of music during what would otherwise be an interminable wait in the school parking lot while picking up my son.

“The Aftermath”

The game: Baldi’s Basics is a purposely crude parody of ’90s educational games; the player is menaced by mean faculty and students at school while trying to solve maths problems and find seven notebooks.

Highlights: This is the least catchy song in the listicle, but the cheesy graphics crack me up.

Cleverest rhyme scheme: “Running for sums takes stamina, actually/Now I see what they mean by a mathlete/Do I not need a pass from my family?/Calculus entered the hazardous category/Practicing math shouldn’t factor fatalities/Even the dastardly Janitor’s after me/[Janitor] SWEEP SWEEP SWEEP!/The massacre’s sanitary”

“The Toybox”

The game: Poppy Playtime concerns a toy factory employee dodging evil sentient playthings while solving the mystery of why all the staff disappeared.

Highlights: The set is impressive, as well as the giant Huggy Wuggy (the blue thing); The Stupendium’s performance as a childlike yet malevolent doll is inspired, especially the scene where there are five of them at once.

Cleverest rhyme scheme: “Cause we’re destined to be best friends/You and I/From the second you stepped in/You give me butterflies in my tummy/As my hugs mulch your intestines”

“Art of Darkness”

The game: Bendy and the Ink Machine involves a studio artist returning to his former place of work and finding that the animated characters (based on old-timey black and white cartoons) have gained sentience and are pretty miffed.

Highlights: The animation is wonderful, at times pleasantly reminiscent of the 1999 remake of House on Haunted Hill, and Stupes really shows off their skill for different voices.

Best pun: “Stationery should be stationary”

“Don’t Let the Bellhops Bite”

Please note the “Breakfast & murder free every day until 10:00 AM” sign on the left

The game: In Dark Deception the player navigates through horror mazes, including a level set in a haunted hotel staffed by murder monkeys with knives for hands.

Highlights: The front desk clerk sounds an awful lot like Boris Karloff. Also, there’s a cameo by fellow YouTubers Random Encounters as ghosts:

From the left: Nathan Morse, Insaneian (who is not from Random Encounters), Stupes, Gwendolyn Pinkerton, and A.J. Pinkerton

Cleverest rhyme scheme: “Think twice before you use/That phone by the bed/Room service will cost you/An arm and a leg/And a torso, a stomach/A neck and a head/The menu’s sparse/But the staff’s well-fed/We’ll provide a device/That might help you find the/Shards you’ve been tasked with/And hide from the nightmares/But if you try to check the Tripadvisor/You’ll likely trip and die, sir/[Tripadvisor] Five stars! Never a survivor!”

“Tune Into the Madness” (with Dan Bull)

The game: Little Nightmares II involves two children navigating a supernatural realm of horrors, which includes TV-addicted zombie-ish creatures.

Highlights: This one has some of the most creepy imagery in the listicle. However, the Stupendium and Dan Bull are adorable together. Look at that chemistry!

Cleverest rhyme scheme: “Taking off the mask/My behaviour is erratic/Claiming to be sane/But I’m just asymptomatic”

“A Pizza the Action”

The game: Five Nights at Freddy’s: Security Breach is the eleventh installment of the haunted children’s pizza and terrifying animatronics goodtimery establishment; a young boy is trapped there, and has to avoid being murdered in the night.

Highlights: The game takes place in the ’80s, and the song as well as the video captures the silly hair band vibe perfectly, plus there’s a neat homage to Vincent Price’s monologue in “Thriller”.

Cleverest rhyme scheme: “Perhaps it’s your birthday?/Or your graduation?/We’re always the first place/For a celebration/Now maybe you’ve heard say/Of some violations/But it’s not since Thursday/We’ve had strangulations”

“Ad Infinitum”

The game: Deltarune concerns a trio of heroes out to save the world. Though it’s not technically classified as a horror game, I stand by TV Tropes when they say there is scary stuff. The character depicted in the video, Spamton, is a glitchy marionette/robot-thing with a decidedly loose grip on sanity. In one scene, he begs for help and then starts laughing hysterically.

Highlights: The sheer manic energy required to bring Spamton to life is awe-inspiring. I’m always down for a condemnation of ad-intensified consumerism (even when said condemnation is coming from a them with a limited-edition Stupendicoin).

Cleverest rhyme scheme: “But the fact is everybody’s gotta have it, gotta have it/Those who have it really have it/If you haven’t, well you’ve had it, couldn’t hack it/Now the haven’ts haven’t had it/And the haves are very glad it’s/Just the haven’ts that are lacking what they’re having/Now the ads have got the traffic/And we’ve grabbed your demographic/So you’re packing up your basket/Cos your dad has gotta have it/He’ll be sad if you don’t wrap it with a tag, it’ll be tragic/So you’re manically grabbing at the shelves amid the panic/Seems that everybody has it, man you really gotta have it/So you get it, you’re ecstatic, but a crackle in the static/And the it is out of fashion, just a fad, a piece of plastic/So you trash it then you get back in your car/Cos you don’t have it”

“Christmas in the Backrooms”

The game: In The Backrooms the player is tasked with escaping from a weird vintage office building with seemingly endless rooms and possibly dangerous creatures lurking.

Highlights: The video opens with distorted clips of commercials from the mid-’80s, revealing that the song is part of a Christmas special. The Stupendium’s corny crooning to the tune of “Holly Jolly Christmas” is spot-on.

Cleverest rhyme scheme: “Every level’s looking jolly/Hope you brought a lot of holly/There’s an infinite sprawl/Of different halls to deck–good golly!/Yes, escaping would be folly/Take a tip from me/That Santa Clause can’t fit/An exit door beneath the tree/So, hum to the thrum/Of the halogen lights/But don’t wonder/If you’re gonna see Santa tonight/Cause the chimney’s labyrinthine/And there’s infinite trees a’glistening/And there’s far too many hearths/For gift delivering right”

“Vault Number 76”

The game: Fallout 76 is the tale of the survivors of a nuclear war exiting the safety of their vault in order to reestablish a colony on the scorched earth left behind. This is another one not classified as a horror game per se, but this article says it’s scary!

Highlights: I put this one last because the song is quickly becoming my favorite. The theme of peoples’ inhumanity to people as a means to survive–becoming not only brutal but enjoying the brutality–is displayed to eerie effect.

Creepiest lyrics: “Who’d have thought the horrors of war could be awesome?/When chalking them up against the boredom/Before things were torched and/We’re forced to reform from assortments of morons/A quarter century’s quarrels laid dormant/Pip-Boys and torches/Blood in the porches/Squash clubs and potlucks/And nuclear launches/Setting the Scorched on my mother-in-law is/More fun than anything before the war was!”

Book Quote of the Day

[A group of parents are dealing with the fact that their four-year-olds are voraciously craving blood, and they seem to prefer their mothers’.]

The wonderful thing about breastfeeding is that it’s free, she had read. But was it? Did it cost her nothing? Because if so, her time and energy and mental health must be valued at zero, in which case, in everyone else’s opinion, she hadn’t made a sacrifice at all. She hadn’t given anything.

But less than a year later, here they are, coming back for more: more sweat, more tears, and, more to the point, blood.

‘She’s asking for you,’ Griff says as though he’s the expert. He is on a goddamn text chain, everyone!

‘I’m sorry, I guess I missed this chapter in What to Expect When You’re Expecting.’ She crosses her arms, angles her body away. Why does no one tell you what it’s going to be like as a parent? Why did nobody explain that she and her husband would argue over who got to run out to buy AAA batteries like it was a free ticket to Bora Bora?”

–Chandler Baker, Cutting Teeth

5 Creepy Music Videos by Marina and the Diamonds

If you’re a TikTok enthusiast, you probably know a couple of songs by M and the D, whether or not you know you know it. My daughter introduced me to them, and I was hooked. They aren’t a horror-themed band in any sense of the word, but I’ve seen all of their videos, and a handful of them struck me as horror-ish in some way, and since I am unable to stop listening to or shut up about them (the song “I Am Not a Robot” got me through many a shift when I was packing boxes in a warehouse), I had to share.

5.) “Venus Fly Trap”

Marina makes a statement about defying popular conventions in Hollywood and the music industry by parodying various kinds of movie tropes, including a “Horror Flick Chick” pursued by a monster in a cheap rubber suit.

4.) “Power and Control”

A woman vies for dominance in a steadily more unhealthy relationship with her threatening partner. The background music is unsettling and there’s some eerie tricks with lighting; there’s a sense of tension and menace throughout, like something violent is just around the corner. Plus he throws a tennis ball against the wall, it’s very The Shining.

3.) “Mowgli’s Road”

The video opens with her hooting “Cuckoo!” and stamping the crepe paper flippers that have replaced her legs. She does this absolutely unsettling backwards scoot and then there are two backup dancers with the same paper legs. Cut to her having flesh and blood legs but disconcertingly long paper arms. Cut to her having normal arms and legs but an accordion-like paper torso that allows her to leap offscreen. Not to mention Marina’s distorted voice singing, “We scooped our way into your dreams.” Whaaa?

2.) “Shampain”

A jaded socialite and her hungover buddies recreate the undead dance scene in “Thriller”, making a neat statement about figurative zombieism.

1.) “Su-Barbie-A”

The title is a portmanteau of Barbie and suburbia. A housewife who may or may not have a face stands in the shadows while creepy Barbie commercial soundbites play in the background. The camera pans slowly and jerkily away from her, and then back to her, which is not a relief. It’s very reminiscent of the closing scene of a horror movie that’s seconds away from a freeze frame of something awful. “The Stepfords!” someone shouts.

Okay, bonus video. I don’t care who you are, you need “I Am Not a Robot” in your life:

Book Quote of the Day

“Now, I know what it means to stand here on the Pomerol plateau, on the right bank of the Gironde estuary. I know about its pockets of rare blue clay, and that when my boots crunch through the crumbly marl, a million little merlot babies drink from the dense earth beneath, ripening navy and opulently sweet so fast they’ll never lose their newborn zing. We follow Fabrizio down a tree-canopied road through the most fuck-off magnificent morsel of southwestern France, grounds sprawling in green and green-gold and copper, orderly rows of vines in one direction and fringes of ancient trees in another. The whole sky wants to climb in when I open my mouth. Tasting notes: clay, plums, the sea.”

–Casey McQuiston, The Pairing

Book Quote of the Day

“It used to be that a handshake was all you needed. It was how a conversation began and ended, how children were conceived, how milk was delivered. But we now live in more casual times. Ours is an age in which you can’t check your coat without some fellow trying to spoon with you. People with natural social skills made appropriate adjustments; others (you are others) failed to do so and were some of the very first people to be served with class-action restraining orders. When’s the right time to give a non-intimate hug? When should you venture a peck on the cheek?

Gender is key here. If you’re a woman, you generally don’t run the risk of offending someone by being affectionate. You should be aware, however, that certain men live according to that well-known dictum: Whatever doesn’t kill me is flirting. With these men, the hugs you gave absolutely everyone as you left the party were somehow theirs and theirs alone and will inspire scores of presumptuous and subliterate follow-up text messages (‘I rlly enjoyd r date!!! :)’); should you kiss one of these men on the cheek, you can expect a picture of his penis to arrive within half an hour.

On the other hand, if you, the reader, are a male and the sort who has nothing but contempt for the pigs who can’t even wait the traditional forty-five minutes before transmitting nude pictures of themselves, you’re probably squeamish about being mistaken for one of them. This is easily avoided. Once you’ve hugged a woman, simply reassure her by saying, ‘That meant less than nothing,’ or ‘Don’t worry. I find you plain,’ or ‘Your touch was like the touch of a ghoul.’ There will be no mixed messages and no hurt feelings, just two people who know exactly where they stand.”

–Jason Roeder, Oh, The Humanity! A Gentle Guide to Social Interaction for the Feeble Young Introvert.

5 Times Cartoons Made Surprisingly Profound Observations in a Few Seconds

As a millennial, I’m all about nostalgia, and I love me some cartoons. Especially adult cartoons, because they’re often full of references to the truly outrageous old cartoons I’m nostalgic about. Thundercats, hooo-oooo!!!!! Aside from being funny and entertaining, they also come at you sometimes with an unexpected thought-provoking moment. Here are five of my favorites.

5.) American Dad, “Stan Knows Best.”

Power-hungry CIA agent Stan stops supporting his daughter Hayley after a fight that culminates in him shaving her head and her moving out, so she becomes a stripper to pay the bills. She decides that she ultimately likes the job, but is booed off stage after her wig falls off. “That’s the one place you want em to have hair,” a disgusted patron says. The entire episode deals with Hayley’s battle with Stan for control over her beliefs and even her body, but ends with her going home in shame to be financially dependent on him once more. However, totally out of left field, with one sentence the writers point out the absurd and arbitrary nature of beauty standards for women.

4.) The Cleveland Show, “Love Rollercoaster.”

Cleveland from Family Guy briefly had his own show. It garnered a fair amount of hate, most deservedly for the fact that two of the five main Black characters were voiced by a white guy and most of the show’s staff were white, but it wasn’t completely bereft of worthwhile content. (Plus cast members Sanaa Lathan and Kevin Michael Richardson are fucking brilliant.) Cleveland’s teenage stepdaughter, Roberta, wants to prove that she’s not coasting by on her looks, so she dons a fat suit and is shocked when she becomes an outcast. The episode does a decent job making a point about shallowness, but one disgusting yet eloquent scene highlights the plight of high school teachers, who are always underpaid and often depressed. When Roberta tries flirting with her teacher to avoid getting in trouble while in the fat suit, he vomits, then growls, “Oh, wonderful, my antidepressants are in there. Five bucks a pop. Go get me a glass of water, fatty.”

Could not find a clip of that scene, so here’s a crappy pic from my laptop

3.) The Simpsons, “Homer’s Phobia.”

In a verrrrrry mid-90s episode, Homer is freaked out when the family befriends an openly gay guy, John. Homer eventually learns a valuable lesson about tolerance when John saves his, Moe’s, and Barney’s life. All the gay guys in the episode, John included, are hopelessly stereotypical, but it was a pretty solid effort for almost 30 years ago. In fact, the staff had to battle the censors to have the episode aired at all. John has a lot of great lines, but one in particular stands out for me, as John cheerfully and wittily points out that he’s a human being and not a label. Barney: “Aw, Moe, we were saved by a sissy.” Moe: “Yeah, yeah, we’ll never live it down. Oh boy, it looks like it’s suicide again for me.” Homer: “Hey! We owe this guy, and I don’t want you calling him a sissy. This guy’s a fruit! No wait, wait, wait, queer, queer, queer! That’s what you like to be called, right?” John: “Well, that or John.”

Could not find a clip of that scene, but I like this one

2.) The Cleveland Show, “Brown History Month.”

Again, this show was reviled, in part for being created and written by white dudes. This episode means well, and it manages to land a few good points about white privilege, particularly the unpredictably poignant scene when Cleveland’s stepson Rallo, who is five, is preparing for a school presentation on Black history month, and finds out that for centuries only white men have been president. He’s passed up to play Barack Obama, but he tries to get over his disappointment, saying, “I’ll just go ahead and be one of the other Black presidents. Actually, I wanna be the first Black president. Who was it?”

Definitely not loving the stereotypes, but kind of impressed by the random reference to Antonio Fargas’s groundbreaking character in Car Wash

1.) God, the Devil, and Bob, “Bob’s Father.”

I’m going to assume you’ve never heard of this show from the early aughts; it got canceled after a few episodes. I found it on Netflix back when all they had were discs that they mailed to your house. It concerns an average guy who’s stuck in the middle of a contest between God and Satan to decide whether humanity is worth saving. Bob, whose father was a shitty dude, is upset when he finds out his father is in heaven. The entire episode has a lot of spot-on observations about parenting, including a side story about Bob’s bratty teenage daughter getting a dog and her mother laughing at her inability to discipline it, but the scene when Bob confronts God about his father really pulls at my heartstrings. It’s pretty much the whole reason this show still takes up space in my brain (besides Alan Cumming as the Devil, which is the whole reason I watched it in the first place). God: “Look, I know your father was a jerk to you, but you don’t know what was in his heart.” Bob: “Don’t do this, don’t give me that crap, I don’t care what was in his heart, he never shared it with me.” God: “You’re right, and you’re right to be mad at him, but it’s not your job to forgive him, it’s mine.” Bob: “Yeah, well.” God: “Did you know your grandfather?” Bob: “What? No. He never talked about him.” God: “Now he was a scary guy.” Bob: “Oh, so that makes it okay for my dad to treat me bad? [Scoffs] Liberals!” God: “No, that’s not what I’m saying. Look, Bob. Okay. Picture this long line of fathers and sons stretching from Adam all the way down to [Bob’s son] Andy, and they’re all passing down this punch. From one generation to the next, father to son. And the trick is to pass on a softer punch. Your father passed on a softer punch.”

Here’s the entire episode. If you can get past the exceedingly primitive animation, I think you’ll enjoy it.

And that’s it. By the power of Grayskull!

Speaking of primitive animation…

Book Quote of the Day

[A group of five friends have established a ritual of holding funerals for each other while they’re still alive to witness them] ‘I was eighteen,’ Marielle corrected, and Jordan gritted his teeth. There was a reason funeral honorees were supposed to be dead.

‘She entered our lives before we were twenty, when the whole world felt exciting and fresh and possible. The first thing you need to know, Marielle, is that we have loved you since the moment we met.’

Marielle’s face scrunched with extreme displeasure.

‘What now?’ Jordan asked when her look could no longer be ignored.

Marielle shifted in her seat. ‘You have loved me?’

‘That’s right. Since the first night we met.’

Have loved.’

Jordan looked to the others for backup. Did they know what she was after?

Marielle scoffed. ‘What the hell tense is that?’

‘Tense?’

‘Verb tense. I’ve run that sentence back and forth in my head and I don’t get it. You have, present, loved, past, me, noun.’ Marielle shook her head, as if realizing for the first time that a funeral for a living person was ridiculous, just as the rest of them were finding meaning.

Jordan hung his head in defeat. ‘I’m sorry! You’re sitting right there!’

‘So?’

‘Do you know how hard it is to give a eulogy for a person making faces in response to everything you say?’

Marielle didn’t know and doubted anyone did. ‘What did you expect? I’m an open book.’

Craig leaned in and whispered, ‘How about you be less of an open book and more of an open casket.’ “

–Steven Rowley, The Celebrants.

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